Imagine playing a game likeGeometry Warsfrom a first-person perspective through the magic of Oculus Rift. All the colors, all the frantic action, everything that makes it such a cathartic experience, but from a more immersive viewpoint. That’s something that sounds pretty interesting, right?

Well, that’s what Land Ho Co., developer ofCrimson Dragon, has going on withProject Life, in a way. The immediate differences are that it doesn’t take place within a confined area, and the gameplay is a bit slower, but other than that, it’s easy to draw comparisons.

Article image

The premise ofProject Lifeis that you control a healthy cell as it tries to rid the area of poisonous cells. The path that you may operate along is a clear blue color, and the enemies are within purplish-black areas. As you eliminate enemies, the poisonous bits turn to healthy ones, opening up more space to move around within and to continue the game. All of this is accomplished via a twin-stick shooter mechanic. The face buttons can be used to vary the types of attacks, but regardless, the method stays the same.

Of course, the thing that makesProject Lifelook particularly promising is the Oculus Rift support. The game can be played without it, from a top-down view, and that’s fun in its own right. However, the virtual reality component gives it that extra oomph to makeProject Lifea candidate to stick out once the Oculus Rift is more widely adopted. Not too shabby for a game that’s been on the studio’s backburner since 2012.

John and Molly sitting on the park bench

Close up shot of Marissa Marcel starring in Ambrosio

Kukrushka sitting in a meadow

Lightkeeper pointing his firearm overlapped against the lighthouse background

Overseer looking over the balcony in opening cutscene of Funeralopolis

Edited image of Super Imposter looking through window in No I’m not a Human demo cutscene with thin man and FEMA inside the house

Indie game collage of Blue Prince, KARMA, and The Midnight Walk

Close up shot of Jackie in the Box

Silhouette of a man getting shot as Mick Carter stands behind cover